Tag Archives: #driventowrite

Story-telling: to go long or to go short

If I may blow the punchline short stories aren’t long enough. Not long enough to develop a character, not long enough to have a fully resolved conflict, not long enough to fully unveil a world. They’re fun, and I’ve read some good ones, but for this writer, they just don’t have enough calories. Or I […]

What marathoning taught me about life and writing

About one of the most painfully life-changing things I’ve ever done is to take up marathoning. In the end, plagued by a varied array of injuries, after running four misery-riddled races, I opted for shorter distances. I still go running a few miles here and there, during which I manage to clear my head and […]

Don’t Count Your Words; Make Your Words Count

Recently, I’ve enjoyed magical days during which I’ve clocked ten thousand or more words. This blessed outpouring came during my recently released Decisive Moment and has taken place again during my ongoing work on episodes 1 and 2 of my Tracking Jane series. Trouble is, this doesn’t always happen. Sometimes I barely squeeze out five […]

The Art of Flashback: instantaneous, intense illumination

In both my reading and writing, I’ve always struggled with flashbacks. As a reader, I’ve trudged through my fair share of voluminous, interminable flashbacks, wondering when I’m getting back into present action, and quite honestly, at times feeling like I’m in a lecture hall while my professor/author data-dumps all he knows about a situation and/or […]

The Ugly, the OK and the Improved: turning passive into active voice

If like me, you write or enjoy reading action-based fiction, nothing can kill a passage like the over-use of “to-be.” Maybe Shakespare’s Hamlet did ask a critical question, and as a guiding principle for what follows, we’ll answer it with a qualified “not to be.” Passive voice and just being I’m not going to get […]

Who do I write for?

Who do I write for? We should always know our intended audience, I heard somewhere. But even if we intellectually know them, do we consistently and unequivocally write for their benefit? I’ll tell you my short answer and then expand. I write for my readers. I write for their enjoyment and, if I can manage […]

When Characters drive the story

Have you ever read a book or story description that claims it is “character-driven”? What exactly does it mean for a character to drive a story’s plot? Is the author sitting at the keyboard while a bunch of unruly characters make him write this and that? Well, yes. No. It’s complicated. Maybe an example will […]

Driven to Write ~ Purpose

Ah, the purpose thing. I’ve been dreading writing this one. For some reason I want to spend the next four paragraphs permutating through variations of Steve Martin’s “special purpose” discussion in The Jerk. But if as Daniel H. Pink claims in Drive, Purpose, along with Autonomy and Mastery motivate us to work harder and produce […]

Driven to Write ~ Mastery

Does a job where you will never get better at what you’re doing excite you? When you examine your ability to write, are you satisfied with what you produce, or rather are you motivated to get better? If the latter, to what extent does that motivation drive your writing? If as Daniel H. Pink claims […]

The Drive to Write ~ Autonomy

Which task would you rather do, one someone directs you to perform, or one you dreamed up on your own? Answer that question honestly, and you’ll understand why in his book Drive, author Daniel H. Pink argues Autonomy provides us with a powerful motivator for our work. As we previewed in our introduction, along with […]