Tag Archives: #driventowrite

Character-driven Insight for Thrillers

What inner struggles is my character facing? How have past experiences brought him to this point, and how do they affect the way he views his present situation? How can he express his views on something in a way that won’t bore the reader? These are the questions I ask myself as I write character-driven […]

Refining my Book Blurbs

To answer a question someone asked me about how I devise my book blurbs, I will contrast the concept-based blurb vs. the character-based version for Decisive Moment. Plus I show off an updated cover! First of all, if you’re looking to me, you know, like I have this wired and dialed-in down to the nanometer, […]

Where do story ideas come from?

Where do authors get story ideas? We can draw from many sources: the news, people we meet, injustices we see or experience first hand, and perhaps even other works of fiction. For me, it usually boils down to what stirs my heart. Recently someone asked me where in the world I got the idea for […]

Would you abandon a strong voice because of bad grammar?

Recently, I took a big chance with the protagonist of my Tracking Jane series. I gave Jane McMurtry a strong, regional voice. Though she has an English degree, part of her character rebels against correctness of many sorts, including the sort imparted to her inside a classroom. And she talks as she wills. That’s part […]

Writing Rules: some breakage may be required

Sometimes we over-talk about this rules-based stuff. Why? I think it’s easier than talking about what really matters. Don’t get me wrong. Let me get this out right up front. Rules are important to make sure we don’t hurt ourselves and others. I like rules and the purpose they serve. I really like rules that […]

Why I prefer my writing Organic

Today I address one of those topics that keeps coming among writers: pantsying vs. outlining. Or, as I prefer to term it, you know, to avoid derisive language, Organic vs. Planned writing. As the title to this post suggests, I like mine organic, than you. Why? Let’s work through a few pointers. If you want […]

When the story demands a flashback

As a reader, I find few things as annoying as a protracted, slow-moving, data dump of a flashback. For me, flashbacks tend to halt the progress of the narrative — as in, I hear the sound of screeching tires right before the thing hits an immovable concrete wall. For this reason, early on in my […]

More thoughts on word count quotas

You would think that after I posted my polemic about not counting words but making words count, that would settle the matter (yes, that’s a joke). Yet, a couple of days ago I ran across yet another blog posting about the need for word count quotas. We’re all different, and I’ll avoid the fallacy that […]

How photography impacted my story-telling

Did I make a mistake when I set my writing aside to self-express myself through photography? Having returned now to the written word, I have been contemplating — I do that a lot — what if anything I can take from photography into my writing. Did I waste ten years of my life during which […]

Write What I Know? Answered in Two Easy Tweets

What do you think about the writing only what you know? If you’re a reader, how enjoyable would books be if authors stick to what they know? As those loaded questions may already suggest, my enthusiasm for the “write what you know” oft-spouted advice wanes to the max. Here’s my first Tweetable thought on the […]